Error message

Deprecated function: implode(): Passing glue string after array is deprecated. Swap the parameters in drupal_get_feeds() (line 394 of /home4/haitisch/public_html/poetry/includes/common.inc).

Marilyn

I suppose it had to happen
later or sooner
given a temperament of sentiment
lacquered with cynicism
such as mine

I’ve gone and fallen in love
with Marilyn Monroe,
joined yearning millions,
her viral pheromone relayed
posthumously via digitized celluloid

(a comment on her
transcendent power
or my susceptibility?
you may well ask—
ah, I cannot judge)

As a man, of course
(we’re metal drawn from an ancient forge,
tools in service to an iterative master);
but as an actor, too:
her skills sublime

even in the narrow band they let her broadcast.
Or perhaps that was
the breadth of her repertoire; no matter—
a tune divine enraptures
as sonata or symphony.

Comments

Don't recall why now, but I netflixed Don't Bother to Knock and am most of the way through The Prince and the Showgirl-- which has a really odd 6-minute sequence at the coronation (complete with really bad matte paintings for backgrounds) that seems to serve no dramatic purpose in the story, except perhaps to make MM's character into some sort of regiphile. Wack. But, God, she's lovely and mesmerizing to watch.

She had perfect comic timing, a likely result of her fear of not being liked.

That is an interesting insight! I've read she was terribly insecure. It's tempting to psychoanalyze her and try to connect that analysis to her performances. But Ben makes a pretty good case for the notion that she was actually just ... talented. I've never really thought about it before, but if she'd lived to grow past her insecurity and continued to be funny, vulnerable and interesting on film well into her 50s and 60s, I wonder if she would have been considered a great comic actor?

... my favorite Marilyn. The most amazingly good bad singing in a film, ever.